Winner of the 2024 Edition
| ADMITTED | PROJECT |
| 1st Prize | The Echoes of Loreley |
| 2nd Prize | The fashionable sound of 18th Century England – Cello Sonatas by Eiffert, Hellendaal and Magito |
| 3rd Prize | Clarinet Trios at the Turn of the 19th Century |
Admitted to the 2022 Edition
| ADMITTED | PROJECT |
| Lavinia Soncini | “Lieto ti prenda e poi” I versi del Tasso nella musica di Tartini |
| Liane Sadler | 1001 Nights: Scheherazade & the Power of Storytelling – The music of Ali Ufki and 18th Century Mannheim |
| Elias Conrad | Ignazio Albertini – Complete Sonatas for violin and basso continuo |
| Trio Orelon | Late Romantic Piano Trios by women composers |
| Alma Stolte | Dall’Abaco, Marcello, Barrière: Baroque Cellotrios |
| Trio Immersio | Franz Schubert: Piano Trios |
Admitted to the 2021 Edition
| ADMITTED | PROJECT | |
| Eleonora Biscevic | Arcangelo Corelli – Sonate Op. 5 n. 1-6 per flauto traversiere e basso continuo | |
| Thomas Chigioni | Lodovico Ferronati: Sonate per violino Op.1 | |
| Quartetto Eos | Eternal Beauty: Ricordo, Idillio e Tormento | |
| Fabio Fausone | Longo, Bossi, Martucci: Romanza Italiana | |
| Davide Ferella | Giuseppe Gaetano Boni: Divertimenti per camera op. II | |
| Ruben Marzà | Origines: Il quartetto di sassofoni nell’Ottocento | |
| Ludovica Rana | Cilea, Busoni, Martucci: Salotto italiano | |